L a - b e a u t é - s a u v e r a - l e - m o n d e ~ D o s t o ï e v s k i

L a - b e a u t é - s a u v e r a - l e - m o n d e  ~  D o s t o ï e v s k i



Sunday, November 30, 2025

Bedroom in two keys - a pair of contemporary interiors by Peter Brown

 
Bedroom, Night, circa 2025.
Summer, 9am, Bedroom, 2025.
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Bedroom, Night, circa 2025 - three details.
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Summer, 9am, Bedroom, 2025 - three details.

Apparently, this same bedroom can be played in other keys, as well.

Morning Light, Bedroom, 2021.
Bedroom, 7am, January 2022.
Grey Morning, The Bedroom, September 2025.
Ned, Asleep, Lockdown Morning, 2020. (I believe that Ned is the artist's son.)

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The British artist's Wikipedia entry is here.

His website is here

(I must admit that I actually have no great affection for any of his other work beyond these particular studies of his own bedroom - it's just his bedroom.)


Sunday, November 23, 2025

Art and the outrageous pose - "Le Nu esthétique - L'Homme, la Femme, L'Enfant," French magazine, 1902-07

 

First issued in October of 1902, and sold by subscription, Le Nu esthétique - L'Homme, la Femme, L'Enfant : album de documents artistiques inédits d’après nature was the first "nude magazine." Published by Émile Bayard, "The Aesthetic Nude" was dedicated to William-Adolphe Bouguereau and contained a preface by Jean-Léon Gérôme, both highly respected academic painters of the period. 


For the next five years, Bayard published twenty-five separate fascicles - A discrete section of a book issued or published separately - containing a large selection of photographed nude studies of men, women, and children in various poses, alone or in groups. And the models were frequently given props to wield and gathered into fully composed decorative tableaux. Occasionally, photographic "special effects" were employed. 


The images strove to align with and exemplify academic principles, and models were photographed in poses that specifically recalled the long line of western art, from the Greeks and Romans all the way forward to the aforementioned contemporary academic artists, Bouguereau and Gérôme. 


Several publications quickly followed suit, though most frequently their poorly disguised raison d'etre was erotic rather than aesthetic. Insulted by comparisons with his far less noble competitors, as well as harried by the legal battles launched against the nude magazines by offended moral crusaders, Bayard chose to close down the publication in 1907.


(By far, the majority of the models pictured in the publication were female; I've focused here on the male. Also, I've removed any images of children that may have been included in the pages that I've chosen. I don't think any of them would actually be considered erotic in any way... but in this day and age...?!)


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There is a very interesting article in French - easily translatable to English on most browsers - about this publication.


Sunday, November 16, 2025

Is this the face of a saint? - "Saint Constance", polychrome wooden bust, Florentine School, circa 1450-1475

 

This wooden, polychrome bust, in the collection of the Louvre, was previously attributed to the circle of Desiderio da Settignano, and formerly known only as la Belle Florentine from the place of its creation. But a restoration undertaken in 2005/2006 revealed a missing inscription which restored the work's identity. Though damaged and fragmentary, the inscription undoubtedly signifies that the figure represents Saint Constance, virgin and martyr, and apparently a companion of Saint Ursula. (Though the Louvre's history of the saint seems much more than a bit confused.) 

Linden with traces of polychrome gold, plant fiber, gesso, poplar - height: 0.5 m / 21.6 in; width: 0.4 m / 18.5 in; depth: 0.2 m / 10.6 in; weight: 7.9 kg / 17.42 lbs.
Inscription painted on the belt: [DO]ROTHEI REGIS CO[N]STA[N]TI[N] OPO[LITANI] - back; [SANCTA CON]STA[NTIA FIL]IA - front

Flavia Valeria Constantina was the eldest daughter of Roman emperor Constantine the Great, but during the Middle Ages she developed a legend, the origins of which are unclear. And her story is told in the Golden Legend - a collection of one hundred and fifty-three biographies of the saints, the work of Jacobus de Voragine - a story wildly at variance with what is known of the historical figure's actual character.